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Permanent installation

Isometric Slides

  • Permanent installation

Carsten Höller has installed a new iteration of Slides, an experimental project he has been producing in different locations for a number of years. The artist is taking advantage of the height of the space to expand on the hypothesis he has been investigating for some time concerning the possible effects of sliding. His work, playful and evocative, questions what would be the effect and result of sliding if it was part of the daily routine. It asks whether slides, which are mostly associated with playgrounds, can become part of our experiential and architectural life. He has noted that "A slide is a sculpture that you can travel inside".

However, it would be a mistake to think that you have to use the slide to make sense of it. From an architectural and practical perspective, the slides are one of the building’s means of transporting people, equivalent to the escalators, lifts or stairs. Slides deliver people quickly, safely and elegantly to their destinations, they’re inexpensive to construct and energy-efficient. They’re also a device for experiencing an emotional state that is a unique condition, somewhere between delight and madness. It was described in the fifties by the French writer Roger Caillois as "a kind of voluptuous panic upon an otherwise lucid mind."

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Credits
© Marc Domage

Carsten Höller on “Isometric Slides”

the 2 slides located in The Tower

According to Carsten Höller, a slide is a sculpture in which one can travel and experience a unique emotional state somewhere between pleasure and madness. However, the artist emphasizes that it is not necessary to slide down a slide to give it meaning; simply looking at it and watching visitors slide down is an equally interesting experience.

Pictures of the slides

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Credits
© Adrian Deweerdt
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Credits
© Adrian Deweerdt
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Credits
© Adrian Deweerdt
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Credits
© Adrian Deweerdt
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Credits
© Adrian Deweerdt
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Credits
© Adrian Deweerdt
0435 - CARSTEN HÖLLER - NO KILL - JUNE 14 2019-1

Carsten Höller

Carsten Höller uses his training as a scientist in his work as an artist, concentrating particularly on the nature of human relationships. Born in Brussels in 1961, he now lives and works in Stockholm, Sweden and Biriwa, Ghana. His major installations include Test Site, a series of giant slides for Tate Modern’s Turbine Hall (2006); Amusement Park, an installation of full-size funfair rides turning and moving at very slow speed at MASS MoCA, North Adams, USA (2006); Flying Machine (1996), a work which hoists the viewer through the air; Upside-Down Goggles, an experiment with goggles which modify vision; and the famous The Double Club (2008-2009) in London, which opened in November 2008 and closed in July 2009, that took the form of a bar, restaurant and nightclub designed to create a dialogue between Congolese and Western culture.

His Revolving Hotel Room (2008), a rotating art installation that becomes a fully operational hotel room at night, was shown as part of theanyspacewhatever exhibition at the Guggenheim Museum in 2009. For his 2015 exhibition Decision at the Hayward Gallery, he turned the whole building into an experimental parcours with two entrances and four exits, two of them being slides. His works have been shown internationally over the last two decades, including solo exhibitions at Fondazione Prada, Milan (2000), the ICA Boston (2003), Musée d’Art Contemporain, Marseille (2004), Kunsthaus Bregenz, Austria (2008), Museum Boijmans Van Beuningen, Rotterdam (2010), Hamburger Bahnhof, Museum für Gegenwart, Berlin (2011), New Museum, New York (2011) Thyssen-Bornemisza Art Contemporary (TBA21), Vienna (2014), Pirelli HangarBicocca, Milan (2016), Henie Onstad Kunstsenter, Høvikodden, Norway (2017), The Florence Experiment at the Palazzo Strozzi, Florence (2018), Sunday at Museo Tamayo, Mexico City (2019) and most recently the exhibitions Behaviour at Kunsten Museum of Modern Art, Aalborg (2019) and Reproduction at Copenhagen Contemporary, Copenhagen (2019).