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Je n’attends plus

  • Narrative journey
William Kentridge is one of the most multi-faceted artists of his generation. Combining drawing, film, sculpture, theater, and opera, he is renowned for his politically engaged practice.

In conjunction with the world premiere of his newly commissioned opera The Great Yes, The Great No, which debuted at LUMA Arles in July, the exhibition Je n’attends plus (I am Not Waiting Any Longer) presents a group of major works, some of which have not been seen in Europe before. Dealing with issues of migration, oppression, racial relations, the transmission of history, and the role of the artist in a society under duress, the exhibition brings together a remarkable body of experimental and performative work.

For more than forty years, the work of William Kentridge has examined South African history at the intersection of the personal and the political. His film installations deploy rhythmic frescoes which are always influenced and inflected by the context and cultural expressions of Johannesburg, the city in which they are made. Simultaneously they draw on elements from the history of avant-garde Europe with post-Cubist, Dadaist, and Surrealist overtones. His charcoal drawings, mask inlays, collages, puppets and sculptures give his works a dreamlike, liminal, and sometimes abstract dimension, an important component of Kentridge’s singular language.

While colonial and racial issues linked to the South African context are points of departure for universal questioning, Kentridge is also interested in other geographies, such as the Russia of the Soviet Union, the island of Martinique, and the German Empire, among others. In addition to a new production based on the opera The Great Yes, The Great No, the exhibition will present large-scale installations in La Mécanique Générale, including Oh to Believe in Another World (2022), More Sweetly Play the Dance (2015), and KABOOM! (2018) as well as the iconic Porter Series tapestries.

 

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Credits

William Kentridge, Je n’attends plus, 2024, La Mécanique Générale, Parc des Ateliers, LUMA Arles, France.
© Victor & Simon / Joana Luz

In the press

Several of the shows have the feel of a blockbuster, but perhaps none more so than William Kentridge’s Je n’attends plus (I Am Not Waiting Any Longer).
— The Art Newspaper

Interview with William Kentridge, about his exhibition "Je n'attends plus"

"The process of making the work is also the process of discovering the history and what the work will be."

Alongside his world premiere The Great Yes, The Great No, a musical theater piece that debuted at LUMA Arles in July, William Kentridge's exhibition Je n’attends plus presents a collection of major works addressing migration, the oppression of peoples, the transmission of history, and the role of the artist in a constrained society.

What is the significance of bringing together the artwork and its creative process in a single space? Why choose cardboard as a medium to express his ideas? How does he play with illusion, understanding, and our personal perception?

In this interview, William Kentridge shares the importance he places on the creative process behind his works and how he highlights this in his exhibition Je n’attends plus.

Exhibition images

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© Victor & Simon / Renata Pires
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© Victor & Simon / Joana Luz
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© Victor & Simon / Grégoire d'Ablon
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© Victor & Simon / Joana Luz
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© Victor & Simon / Grégoire d'Ablon
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© Victor & Simon / Grégoire d'Ablon
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© Victor & Simon / Renata Pires
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© Victor & Simon / Joana Luz
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© Victor & Simon / Grégoire d'Ablon
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© Victor & Simon / Joana Luz
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William Kentridge

William Kentridge (born Johannesburg, South Africa, 1955) is internationally acclaimed for his drawings, films, theatre and opera productions.

His method combines drawing, writing, film, performance, music, theatre, and collaborative practices to create works of art that are grounded in politics, science, literature and history, yet maintaining a space for contradiction and uncertainty.

Kentridge’s work has been seen in museums and galleries around the world since the 1990s, including the Museum of Modern Art in New York, the Albertina Museum in Vienna, Musée du Louvre in Paris, Whitechapel Gallery in London, Louisiana Museum in Copenhagen, the Reina Sofia museum in Madrid, the Kunstmuseum in Basel, Zeitz MOCAA and the Norval Foundation in Cape Town and the Royal Academy of Arts in London. He has participated a number of times in dOCUMENTA in Kassel (2012, 2002, 1997) and the Venice Biennale (2015, 2013, 2005, 1999 and 1993). His works are also in the collections of museums around the world.

Opera productions include The Magic Flute by Mozart, The Nose by Shostakovich, and Lulu and Wozzeck by Alban Berg, and have been seen at opera houses including the Metropolitan Opera in New York, La Scala in Milan, English National Opera in London, Opéra de Lyon, Dutch National Opera in Amsterdam, the Sydney Opera House, and the Salzburg Festival.

Kentridge’s theatrical productions, performed in theatres and at festivals across the globe, include Refuse the Hour, Winterreise, Paper Music, The Head & the Load, Ursonate, and Waiting for the Sibyl, and, in collaboration with the Handspring Puppet Company, Ubu & the Truth Commission, Faustus in Africa!, Il Ritorno d’Ulisse, and Woyzeck on the Highveld.

Kentridge is the recipient of honorary doctorates from several universities, including Yale, the University of London, and Columbia University. In 2010, he received the Kyoto Prize. In 2012, he was awarded the Commandeur des Arts et des Lettres in France and presented the Charles Eliot Norton Lectures at Harvard University. In 2015, he was appointed an Honorary Academician of the Royal Academy in London. In 2017, he received the Princesa de Asturias Award for the Arts, and in 2018 the Antonio Feltrinelli International Prize. In 2019, he received the Praemium Imperiale Award in Painting in Tokyo. In 2021, he was made a Foreign Associate Member of the Académie des Beaux-Arts, Paris. In 2022, he was presented with the Honour of the Order of the Star of Italy, and in 2023 he received the Olivier Award for Outstanding Achievement in Opera for Sibyl in London.