Free admission to LUMA Arles in April. The exhibition "Danny/No More Reality" is open without a ticket through April 30.

Free admission to LUMA Arles in April. The exhibition "Danny/No More Reality" is open without a ticket through April 30.
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Permanent installation

Membrane

  • Permanent installation
Installed on the Parc des Ateliers lawn, Membrane is a mechanical tower structure akin to an antenna. It hosts a cybernetic system with unconventional cognitive and linguistic capabilities. By dialoguing with its immediate surroundings, it develops a new language and gains a virtual voice that spreads through the park as a tenuous, enigmatic song. Membrane collects all kinds of environmental data, including temperature, humidity, windspeed, noise levels, air pollution levels, and each vibration of the ground in order to translate these signals into sounds, which it modulates. Straddling the line between organism and machine, Membrane is a hybrid entity, a sensitive work that perceives and adapts to variations in its environment, reflecting the rhythms of its external and internal worlds.
250430_LUMA_PHILIPPE_PARRENO_VICTOR&SIMON_GRÉGOIRE_DABLON_03_2 - 2550 x 3400
Crédits
© Victor & Simon / Grégoire d'Ablon
Portrait_PhilippeParreno©OlaRindal_06

Philippe Parreno

Philippe Parreno studied at École des Beaux-Arts, Grenoble, and Institut des hautes études en arts plastiques, Palais de Tokyo, Paris. He lives and works in Paris, France. Parreno is a French artist who rose to prominence in the 1990s, earning critical acclaim for his work that spans a diversity of media, including film, sculpture, drawing, and text. Parreno radically redefined the exhibition experience by taking the exhibition itself as a medium and placing its construction at the heart of his process. Exploring the possibilities of the exhibition as a coherent “object” rather than as a collection of individual works makes it into a true open space, a format that differs on each occasion, and a frame for things to appear and disappear. Parreno conceives his exhibitions as a scripted space where a series of events unfolds. He seeks to transform the exhibition visit into a singular experience that plays with spatial and temporal boundaries and the sensory experience of the visitor, who is guided through the space by the orchestration of sound and image. For the artist, the exhibition is less a total work of art than a necessary interdependence that offers an ongoing series of open possibilities.