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Permanent installation

MEMORY

  • Permanent installation

An environment consisting of Stone Mimicry, wall embedded Fossil Psychics, wall color scheme, antique glass, and selected artist designed furniture.

The mosaic floor of the Café du Parc is based on paintings by Kerstin Brätsch. Envisaged by the artist as monumental paitings looking towards the sky, the mosaic represents different characters often found in Brätsch‘s oil on mylar paintings. The characters here are enlarged and oversized and translated into mosaic techniques, a unique process and use in the artist’s practice. Paths between the single characters consist of a stucco marmo creature which is turned into a mosaic. Similar motifs continue in the interior space of the Café du Parc, which unify the park and the interior in a spectacular way. The forms are visually powerful and command the views from The Tower to the park.

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Crédits
© Adrian Deweerdt

Kerstin Brätsch talks to us about ‘MEMORY, 2021’

The mosaic floor of the Café du Parc was created using paintings by Kerstin Brätsch. Conceived by the artist as monumental compositions facing the sky outside the building, these powerful forms dominate the view of the park from La Tour. The mosaic depicts various characters often found in her oil paintings on Mylar. Here, these figures are enlarged, oversized and recreated, with a necessary transposition through the art of mosaic.

Pictures

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© Adrian Deweerdt
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© Adrian Deweerdt
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© Adrian Deweerdt
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© Adrian Deweerdt
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© Adrian Deweerdt
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© Adrian Deweerdt
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© Adrian Deweerdt
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Kerstin Brätsch

Kerstin Brätsch (b. Hamburg, Germany) is a painter who currently works in New York. Through her materially varied practice, Brätsch seeks to expand the definition of painting, continually challenging its delimitations. To destabilize the traditional notion of painting and authorship, she invites artisanal practices (such as stained glass, paper marbling, Stucco marmo) and collaborative projects into the equation of the history of the medium, shifting its agency from the singular to the collective. In fact, Brätsch works both autonomously and in collaboration with other artists, as part of DAS INSTITUT (with Adele Röder, from 2007) and KAYA (with Debo Eilers, from 2010) , as well as other collectives, including UNITED BROTHERS (Ei and Tomoo Arakawa). Brätsch has been the subject of several solo exhibitions, including the Serpentine Galleries, London (2016); Museum Brandhorst, Münich (2017); and Fondazione Memmo, Rome (2018), and in 2019 she completed the site-specific installation Fossil Psychics for Christa for The Museum of Modern Art's Terrace Café, New York. In 2017, she was awarded the second edition of the Edvard Munch Art Award. In 2019 Brätsch received the Villa Romana Residency in Florence, Italy with her collective KAYA and most recently she was awarded the Helen Frankenthaler award for painting from the Foundation for Contemporary Arts, New York (2020).