View of the work "More Sweetly Play the Dance" by William Kentridge, presented at LUMA Arles in 2015 and 2024.
© Victor & Simon / Joana Luz
William Kentridge
Artist
William Kentridge (born Johannesburg, South Africa, 1955) is internationally acclaimed for his drawings, films, theatre and opera productions.
His method combines drawing, writing, film, performance, music, theatre, and collaborative practices to create works of art that are grounded in politics, science, literature and history, yet maintaining a space for contradiction and uncertainty.
Kentridge’s work has been seen in museums and galleries around the world since the 1990s, including the Museum of Modern Art in New York, the Albertina Museum in Vienna, Musée du Louvre in Paris, Whitechapel Gallery in London, Louisiana Museum in Copenhagen, the Reina Sofia museum in Madrid, the Kunstmuseum in Basel, Zeitz MOCAA and the Norval Foundation in Cape Town and the Royal Academy of Arts in London. He has participated a number of times in dOCUMENTA in Kassel (2012, 2002, 1997) and the Venice Biennale (2015, 2013, 2005, 1999 and 1993). His works are also in the collections of museums around the world.
Opera productions include The Magic Flute by Mozart, The Nose by Shostakovich, and Lulu and Wozzeck by Alban Berg, and have been seen at opera houses including the Metropolitan Opera in New York, La Scala in Milan, English National Opera in London, Opéra de Lyon, Dutch National Opera in Amsterdam, the Sydney Opera House, and the Salzburg Festival.
Kentridge’s theatrical productions, performed in theatres and at festivals across the globe, include Refuse the Hour, Winterreise, Paper Music, The Head & the Load, Ursonate, and Waiting for the Sibyl, and, in collaboration with the Handspring Puppet Company, Ubu & the Truth Commission, Faustus in Africa!, Il Ritorno d’Ulisse, and Woyzeck on the Highveld.
Kentridge is the recipient of honorary doctorates from several universities, including Yale, the University of London, and Columbia University. In 2010, he received the Kyoto Prize. In 2012, he was awarded the Commandeur des Arts et des Lettres in France and presented the Charles Eliot Norton Lectures at Harvard University. In 2015, he was appointed an Honorary Academician of the Royal Academy in London. In 2017, he received the Princesa de Asturias Award for the Arts, and in 2018 the Antonio Feltrinelli International Prize. In 2019, he received the Praemium Imperiale Award in Painting in Tokyo. In 2021, he was made a Foreign Associate Member of the Académie des Beaux-Arts, Paris. In 2022, he was presented with the Honour of the Order of the Star of Italy, and in 2023 he received the Olivier Award for Outstanding Achievement in Opera for Sibyl in London.
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On this page
- Quote(s)
- Image(s)
- Exhibition(s) / Event(s)
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On this page
- Quote(s)
- Image(s)
- Exhibition(s) / Event(s)
- Watch, read, listen
Quote(s)
“The process of making the work is also the process of discovering the history and what the work will be.”
“I always wait for the work to tell me what the title means.”
“When you see how the magic is made, it doesn't stop the magic being magic.”
“Are the links between a wealthy Black man and a wealthy white man stronger than those between a poor Black man and a rich Black man?”
“Even though it's a historic debate, it is a contemporary debate.”
— William Kentridge, remarks from a filmed interview at LUMA Arles, 2024
© Adrian Deweerdt
© Adrian Deweerdt
© Victor & Simon / Renata Pires
Watch, read, listen