Bouchra Khalili

Artist

credits

Bouchra Khalili is a Moroccan-French artist. She graduated in Film & Media Studies at Sorbonne Nouvelle and Visual Arts at the École Nationale Supérieure d’Arts de Paris-Cergy. Khalili’s work has been subject to many international solo exhibitions including recently at the Museum of Fine Arts, Boston (2019); Museum Folkwang (2018); Jeu de Paume National Gallery, Paris (2018); Secession, Vienna (2018); Wexner Center for the Arts (2017); MoMa, Museum of Modern Art, New York (2016); Palais de Tokyo, Paris (2015); MACBA, Barcelona (2015); PAMM, Miami (2014-2013), among others. Her work was also included in collective exhibitions and biennales, such as Documenta 14 and the Milano Triennale (2017); Telling Tales, MCA, Sydney (2016); The Future of History, Kunsthaus, Zurich (2015); Positions, Vanabbe Museum (2014); Here and Elsewhere, New Museum (2014); The Encyclopedic Palace, 55th Venice Biennale (2013); “Intense Proximity: La Triennale”, Palais de Tokyo, Paris (2012); the 18th Biennale of Sydney (2012); and the 10th Sharjah Biennial (2011); among others.

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"When archives do not exist, what remains to tell suppressed histories?"

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Bouchra Khalili - Carte Blanche Bouchra Khalili

From 17 February 2024 to 17 February 2024

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Interview with artist Bouchra Khalili

Bouchra Khalili talks about her exhibition of two distinct but interrelated works: "The Circle" and "The Tempest Society". This set of works departs from Khalili’s extensive research on Le Mouvement des Travailleurs Arabes (MTA, Movement of Arab Workers) and its theater groups, Al Assifa (The Tempest in Arabic) and Al Halaka (The Circle in Arabic, which is also referencing the tradition of public storytelling that is common in North Africa). In this interview, the artist explains how Arab workers have used performance art to denounce injustice and spread the word.

Ses interventions à LUMA Arles

Interview with artist Bouchra Khalili Bouchra Khalili

Env. 3 min

Art , Exposition

Bouchra Khalili

Artist

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Ses interventions à LUMA Arles

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