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L'installation "No More Reality" de l'artiste Philippe Parreno sera fermée du 17 au 23 février 2025.

L'installation "No More Reality" de l'artiste Philippe Parreno sera fermée du 17 au 23 février 2025.
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REVERB THE VINYL FACTORY

LUMA Arles presents works commissioned by The Vinyl Factory, presented as part of REVERB, an exhibition that was showcasing the Vinyl Factory Collection and which was staged in London, UK in 2024. 

The exhibition in London celebrated the synergy of art and sound through immersive installations commissioned and produced by The Vinyl Factory from the past 20 years.

An independent music and arts enterprise, The Vinyl Factory collaborates with artists and musicians to create boundary pushing audio-visual experiences. Founded in 2001, the group encompasses a vinyl pressing plant, record label and exhibitions program. Over the years, it has staged many acclaimed exhibitions in London. The homonymous record label has released over 300 records, with a roster that includes the artists and musicians Fred Again, Massive Attack, Grace Jones, Theaster Gates, Mica Levi, Yussef Dayes, Christian Marclay, Thom Yorke, Nan Goldin and many more.

The Vinyl Factory pressing plant is the most iconic plant in the world, originally founded by the inventor of Gramophone, dating back to 1890, later forming the basis of EMI Manufacturing and creating legendary records by The Beatles, Pink Floyd and Sex Pistols. The Vinyl Factory has worked in partnership with leading arts organizations, including the Venice Biennale, The Barbican Centre and the Serpentine Galleries among other. LUMA Arles will present some of the most significant video and sound installations commissioned by The Vinyl Factory, starting with Kahlil Joseph’s BLKNWS and Gabriel Moses’s Ijó, two works whose influence has shaped the recent history of sound and video art practice.  

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Crédits

© Adrian Deweerdt

Biographie de l'artiste

Etel Adnan (1925-2021) was a Lebanese-American artist, poet and essayist, writing in French and English. Born in Beirut, she moved to Paris after a long period of residence in California. She began painting in the 1960s and her work has received international recognition since DOCUMENTA(13), in 2012. In 2014, she was invited to the biennial of the Whitney Museum (New York) and the Qatar museum of modern art, the Mathaf, which dedicated a retrospective to her, organized by Hans Ulrich Obrist. Since then, numerous museums (Bern, Luxembourg, San Francisco, Aspen, Lille, etc.) and art centres have devoted exhibitions to her. Adnan’s works appear in numerous collections, including the MNAM-Center Pompidou, Paris; Mathaf, Doha, Qatar; MoMA, New York; M +, Hong Kong; Royal Jordanian Museum, Amman; the Museum of Modern Art, Tunis; Sursock Museum, Beirut; Institute of the Arab World, Paris; British Museum, London; Tate Gallery, London; World Bank Collection, Washington D.C.; National Museum for Women in the Arts, Washington D.C.; as well as in many private collections. Photo credit: Courtesy Galerie Lelong & Co. Paris