Now showing at LUMA Arles: David Armstrong, Liu Chuang, Maria Lassnig, Philippe Parreno, and Tony Oursler
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In conversation with Salma Mochtari, Tai Shani reflects on the evolution of her artistic practice, conceived as a constellation in which sculpture, performance, film, and writing all contribute to the construction of a speculative feminist history. Through her major works DC Productions, The Neon Hieroglyph, and My Bodily Remains, she explores how magical practices, occult forms of knowledge, and altered states become tools for political, historical, and sensorial inquiry, and participate in the invention of desirable worlds and forms of resistance.
In conversation with Salma Mochtari, Tai Shani reflects on the evolution of her artistic practice, conceived as a constellation in which sculpture, performance, film, and writing all contribute to the construction of a speculative feminist history. Through her major works DC Productions, The Neon Hieroglyph, and My Bodily Remains, she explores how magical practices, occult forms of knowledge, and altered states become tools for political, historical, and sensorial inquiry, and participate in the invention of desirable worlds and forms of resistance.
In conversation with Salma Mochtari, Tai Shani reflects on the evolution of her artistic practice, conceived as a constellation in which sculpture, performance, film, and writing all contribute to the construction of a speculative feminist history. Through her major works DC Productions, The Neon Hieroglyph, and My Bodily Remains, she explores how magical practices, occult forms of knowledge, and altered states become tools for political, historical, and sensorial inquiry, and participate in the invention of desirable worlds and forms of resistance.
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